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Presentation Box



Background:

Presentation Box
Presentation Box
1736-95 (Ch'ing dynasty)
Tricolor lacquer
Gift of Mr. and Mrs. Augustus L. Searle

Key Ideas
Story
Background

Ch'ien Lung
Lacquer
Symbols
Peaches
Presentation Box
Symbols
Description

Discussion Questions

Ch'ien Lung
The Ch'ing dynasty emperor Ch'ien Lung (CHEE-en lung), who reigned from 1736 to 1795, was a devoted art collector and patron. He encouraged artists to produce many luxury objects, including fine lacquer presentation boxes, made as gifts for members of the court.


Imperial Throne

Detail from a Chinese lacquer throne

Artist unknown
Imperial Throne
Early 18th century
Softwood and polycromed lacquer


Lacquer
Asian lacquer comes from the sap of the lac tree. It is a thick, sticky substance rather like honey. Artists apply many thin layers of lacquer on wood objects, allowing each layer to harden for weeks before adding another. By applying layers in different colors, artists could carve down through the layers to reveal various colors. Because of the time and intensive labor required to produce carved lacquerware objects, they were very expensive luxury items. But the fashion for lacquerware during the 18th century caused a high demand all over China. While this box was probably produced in the imperial workshops in Beijing, there were also imperially supervised workshops in cities in the western and southern provinces.

Symbols
Artists often decorated luxury objects with images and with symbols of prosperity and good fortune. Rather than tell stories literally (that would be too obvious), the Chinese used familiar symbols and images that recalled the story.

Besides evoking stories, symbols can reveal the intentions and views of Heaven. Such symbols often appeared in everyday contexts. A series of earthquakes meant that Heaven was displeased; an early blossoming or the appearance of a crane might herald the coming of good fortune. By using symbols such as the peach, artists recorded a general wish for other heavenly signs of impending happiness and long life.

Detail of peach scene from the Presentation Box

Detail of peach scene from the
Presentation Box

Peaches
Peaches suggest many things in traditional Chinese culture. They were considered good medicine for everything from rheumatism to coughs. Children wore peach stones carved in the shapes of locks around their necks to keep them from harm. The peach is commonly associated with springtime, marriage, fertility, and long life.

Presentation Box
The superb craftsmanship, intricate composition, and elaborate detail of this presentation box are common features of the fine lacquerware produced during the reign of emperor Ch'ien Lung. It was probably made as a gift for a member of the nobility or even for the emperor.

Rollover the image to locate details
from the Presentation Box

Legends concerning immortality Elegant bowl filled with symbols of wealth Large character meaning "spring"

Symbols
This presentation box is covered with many symbols that wish its recipient good luck and happiness. On top is a large character meaning "spring," which was considered one of the most fruitful and pleasant seasons. The peach was another symbol for springtime. Below that is an elegant bowl filled with symbols of wealth - coins and rhinoceros horns. Illustrated on the sides are legends concerning immortality. The combination of signs of spring, wealth, children, and long life suggests that this presentation box was made as a wedding gift or a birthday present.

Description
The front of the box shows the legend of Hsi Wang-mu's giant peach trees in the Land of the Immortals. The land is a beautiful paradise of lofty mountains, cool wavy seas, and lush vegetation. On the left, a peach tree grows out of the side of a cliff; the immense peaches dwarf the tree itself. Luckily for the immortals, the branches hang low enough that the peaches can be picked.

Two young boys and a wrinkled old man pick the luscious fruit. The old man is the god of longevity. His staff bears the character shou (show), meaning "long life." Standing on a ledge, one boy picks the peaches and hands them to the god of longevity, who cradles them in a long cloth. Behind the old man, the other child picks off the leaves and places the peaches in a basket.

Although the scene looks natural, it is carefully and decoratively composed. The figures stand on ground that is made up of a PATTERN of squares and small flowers. The waves are reduced to a repetitive weave of diagonal lines.

The artist, in a typical Chinese fashion, has created a sense of depth by tilting up the ground plane, so that more distant forms are set higher in the composition. The stream winds upward into the distance. PERSPECTIVE shifts within the scene so that one can simultaneously look up at the mountains and down on the heads of the figures.

The artist also used color and texture to distinguish between FOREGROUND and BACKGROUND forms. The black areas, deeply carved, form the water and the sky. Closer, the landscape forms a red backdrop for the figures and peaches, which, though also red, are carved from an even shallower layer of lacquer.

Key Ideas Story Background Discussion Questions
 
 

 

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