Collections / Explore the Collection
Today at the Museum

May 23, 2013

Thinking Globally: Exploring the MIA's Indian and Southeast Asian Art Collection

7 – 8 p.m.
Pillsbury Auditorium

Presenter: Risha Lee, the MIA's Jane Emison Assistant Curator of South and Southeast Asian Art. The MIA's Indian and Southeast Asian art collection contains many gems of art, produced in a variety of times and places. In an introduction to the collecti...

Butterfly Maiden Kachina
Title:Butterfly Maiden Kachina
Artist:Hòpituh Shi-nu-mu (Hopi)
Date:1880-1920
Creation Place:North America, United States, Southwest region
Credit Line:The Jane and James Emison Endowment for Native American Art
Accession Number:2010.1
In Hopi cosmology, there are over 250 spirits known as kachinas (or katsinas). The kachinas visited this world long ago from the clouds, but now only their representatives appear in Hopi villages from winter solstice to mid-July. These representatives, men dressed in masks and outfits representing the individual kachinas, conduct ceremonies that maintain harmony and teach Hopi values. Traditionally, the kachina dancers gave children small sculptures of the kachinas during the ceremonies. Parents hang them on the wall at home to use as educational tools for teaching Hopi beliefs to their children. The kachina you see here is known as the Butterfly Maiden or Palhik Mana. Her role is to underscore the importance of regeneration and yearly renewal. She can be identified by the symbols she wears: the irregular edges of her tableta (headdress) represent rain clouds, the small wooden objects protruding from the top of her head symbolize flowers, and the rectangular design on her forehead represents an ear of corn. The black geometric designs on the torso and lower body are like those found on Hopi textiles.