It is likely that Jesuit influence in China during the late Ming and Ch'ing dynasties played a role in shaping the iconography of this small statue. Among the European images circulated in China during the time of Father Ricci were pictures of the Madonna and Child like the one shown here. Ricci recognized that Chinese culture was strongly intertwined with Confucian values and he successfully used existing Chinese concepts to explain Christianity, including the veneration of ancestors.




