Early Tibetan thanka paintings such as this were produced primarily within the framework of the Indian aesthetic tradition. Artists learned precise theories of proportion and color from iconographic manuals that were translated from Sanskrit to become part of Tibetan canonical literature.
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object 7 of 24
object 7 of 24
Title:The Buddha Sakayamuni
Artist:Artist Unknown
Date:late 14th-early 15th century
Creation Place:Asia, Tibet
Credit Line:Gift of Ruth and Bruce Dayton
Accession Number:2000.31.5
Artist:Artist Unknown
Date:late 14th-early 15th century
Creation Place:Asia, Tibet
Credit Line:Gift of Ruth and Bruce Dayton
Accession Number:2000.31.5
This early Tibetan painting (thanka) of Shakyamuni Buddha depicts the "enlightened one" in his customary vajra posture (seated crosslegged on a lotus throne) with his right hand touching the earth in the bumisparsa gesture while holding an alms bowl (patra) in his lap. Flanking him are his companion bodhisattvas, Avalokitesvara and Mahasthamaprapta. Surrounding them are monks, Buddhas, and bodhisattvas seated in rapt attention as if listening to the discourse. Centered beneath the throne is the blue guardian Mahakala and other protective deities.
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object 7 of 24
object 7 of 24