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Exhibitions
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Exhibition
![]() Sheila Hicks, Labyrinth of Communication, 1990-1991; Linen, silk, wool, cotton, metallic thread; wrapped; Gift made possible by Sheila Hicks and Target Corporation Is Bigger Better? A Question of Scale in 20th-Century Fiber ArtSaturday, February 10, 2007Sunday, July 15, 2007 In decades following World War II, the preferred contemporary aesthetic favored the bold and unadorned. It was generally accepted that important visual statements were encoded in large objects, whether they were two dimensional or sculptural. Cutting-edge galleries and public museums displayed large paintings and three-dimensional forms. Artists of the period knew that if they wanted their work seen, it must be expressed in a large scale. Nevertheless a number of individuals did not entirely reject the smaller form. |
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