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<table width="470" border="0" cellpadding="6" align="center">
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<p><img src="images/peress.gif" width="149" height="225" alt="Portrait of Peress"></p>
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<td> </td>
<td><font size="-1" face="Arial, Helvetica, sans-serif" color="#990000">1
of 11</font></td>
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<td valign="top" align="center" height="125"><a href="index.html#" onClick="WL_openFPXWindow('../glossary/content01.html#rangefinder','fpxzoom','menubar=yes,scrollbars=yes,resizable=yes,width=360,height=360')"><img src="../images_common/leica.JPG" width="118" height="81" border="0"></a><br>
<font size="-1" face="Arial, Helvetica, sans-serif">Tool of the Trade:<br>
<a href="index.html#" onClick="WL_openFPXWindow('../glossary/content01.html#rangefinder','fpxzoom','menubar=yes,scrollbars=yes,resizable=yes,width=360,height=360')">rangefinder
camera</a> </font></td>
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<p><font color="#3333FF" size="+1">I work much more like</font> a forensic
photographer in a certain way, collecting evidence. I've started to take
more still lifes, like a police photographer, collecting evidence as a
witness. I've started to borrow a different strategy than that of the
classic photojournalist. The work is much more factual and much less about
good photography. I don't care that much anymore about "good photography."
I'm gathering evidence for history, so that we remember.</p>
<p align="right">– Gilles Peress, <i>U.S. News,</i> October 6, 1997</p>
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<td><font size="-1" face="Arial, Helvetica, sans-serif" color="#990000">1
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