 |
|
|
A woman sits outdoors, a child on her lap. Flowers bloom around them, and a tame peacock perches on the garden gate. The nearby buildings are typical of 15th-century Brabant, now a region of Belgium, where the artist lived. The mother smiles tenderly at her child as they turn the pages of a book. But is this an ordinary family in their garden?
If the woman stood up, she would tower over the landscape in her flowing red robe. The baby’s solemn face suggests wisdom beyond his years. This woman is Mary, and the child in her lap is Jesus Christ. They sit before us, not high on a heavenly throne, but firmly on earth—in your own backyard, if you lived in 15th-century Brabant.
The painting reminded churchgoers that in many ways Mary and Jesus were ordinary people like themselves. Yet the real-world details held religious meanings. The message for the believer: If God is in everything, then perhaps nothing is ordinary.
Master of the Embroidered Foliage, Virgin and Child in a Landscape, about 1500, oil on panel
|
|
|
 |