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All is quiet. A trickle of water flows in the garden outside the window. A breeze whispers through the window screen. An inky brush slaps softly against paper as you write at the desk. At home in 18th century China, you might easily forget that a bustling town lies beyond the walls of this room.
Clay tiles cover the walls and floor. They keep the place cool even in the sweaty heat of southern China. You see no bright colors or flashy gold here, only the shine of polished wood. Glimpses of the miniature garden outside take the imagination to a wild place far beyond the edge of town.
Of course, no one would mistake this room for a simple hut in the wilderness. Even the gnarled tree root in the far corner, now a stand for an antique pot, has the same high polish as the gleaming desk. But a room like this one was more than a quiet get-away spot for a city dweller. It was a place to connect with nature through poetry, painting and music, in search of spiritual peace.
China, Jiangsu Province
The Studio of Gratifying Discourse, 1797
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